Thursday, November 24, 2016

"Let's size you up!"

Fit, Feel and Fixes for the Guitar player.

The good news is that after thirty two years of a great marriage, I still fit the tuxedo I was married in. Fit, is a good thing, especially appreciated by my wife.

The "not so good news" is that being a guitar service and custom build shop, I constantly see folks playing guitars that "don't fit". Most times it's not intentional but here are a few classic examples of "guitar fit' challenges.

    a. The guitar was inherited or bought as a a gift and was too large or too small for the            players age or build.

    b.The model, style or condition was not suitable or effective to learn on.




                                       Good Fit is Essential!

In one particular case, a new guitar student came to me with a deep bodied, full size dreadnaught acoustic which, by all good intentions, was a surprise gift from mom and dad. Purchasing a guitar for anyone must include the players presence in order to really evaluate the fit. 

Because of my student's body shape, she could not keep it in players position and short arms labored to hold the guitar properly. This guitar became a challenge to hold and thus difficult to play. I went to my closet and pulled out a parlor guitar and it fit the players needs immediately. (Parlor guitars are smaller than standard acoustic guitars). As a result, the improved relationship between the players size and guitar made the ability to learn a pleasurable experience and energized the student with confidence. 

I sometimes wonder if the person or store that they purchased it even asked about the physical elements pertaining to fit for the student/player. It is a simple oversight but I wished I had a dollar for every pair of shoes I bought online that did not fit. You have to "try on" personal items and the guitar is no exception.

Though many factors enter into the choice of guitar, we at BornAgainGuitars start with fit. Other features of the guitar also become rudimentary such as neck width and radius, gauge of strings, action and body shape.

Let's start with hand size and finger length. Most steel string guitars have a 1-5/8" or 1-7/8" wide nut, ( the base point of the instrument scale where strings come from the tuning machines ) and this is the general spec that most players are familiar with. Nylon string classical guitars usually have a 2" wide nut for a different string spacing and playing style.
Importance here is to match hand size to neck style and size for ease in learning to play the instrument.
1 3/4"nut  

Classical nut


When choosing a "student" guitar it may be helpful to know that economy priced guitars have improved over the years but many do have somewhat high "actions" ( height of the strings from the fretboard ), that are difficult to press down causing discomfort to the new players fingers.

High humidity can also compound the situation even more. ( Acoustic guitars live well in controlled environments the likes of 68-70 degrees F with 45-55% relative humidity.)
Born Again Guitars offers customers free consultation on care and maintenance.

Finally, guitars may require additional attention to other facets such as neck alignment, truss rod adjustment, saddle / bridge, nut and fret condition, to name just a few. In most cases, these are the fixable parts of the fit and feel process...finessing your goals. 

One "Fit Scenario" I recall, was with a friend who wanted to learn to play guitar. He was a brauny 6' 4" man with considerably large hands and fingers. The 1 5/8" wide nut was not at all compatible with the hand size. 1 3/4" was also tight...then 1 3/4" ...still no go.
I suggested a classical model with a 2" wide nut and it was, to quote, not his "preference".

I thought about it and then had an another idea. He had mentioned he liked to listen to Django Reinhardt albums. We immediately started looking at Gypsy Jazz guitars and "Boom!" that was the answer. I found a 2 1/8" wide nut model and it all came together.
He now has a guitar that fits and he is enjoying it a lot.




Gypsy Jazz

At BornAgainGuitars, we see a lot of guitars and we know the importance of "Fit and Feel". 

Using myself as an example...
I'm 5'8" tall with average sized hands but short fingers and short arms. I grew up with strats and teles...they seemed to fit my hand. I played standard dreadnaught style acoustics. They also "seemed" comfy. 

Over the years my tastes changed and I started to consider trying different guitars. Classicals, Jumbos, semi-hollow, different basses too. What a wonderful adventure...and the word "Fit" took on new dimensions. I discovered OM style and Parlor guitars which quickly took a firm hold on me and I still prefer them to this day. I could play them better and with more versatility and expression. I prefer 1 3/4" with a 12-14" radius.

I also experienced different gauged strings and new radius configurations which opened up all types of new doors and musical genres and most importantly, it's helped me to pass that knowledge on to other up and coming guitarists...(and change the mind of a few "diehards" too.)

The bottom line is "Fit & feel"...it can go a long way so let BornAgainGuitars help you find that perfect fit, improve your playing and make your musical journey an exciting, comfortable and rewarding one. 

Call us at 919-906-0318 and remember...

"Stay Tuned!"


Thursday, November 17, 2016

What is the perfect guitar for you?


By Michael Stierhoff- The GuitarYouDreamAbout.com

It doesn’t matter if you play acoustic, electric or bass guitar or how long you have been playing or how experienced you are. At some point you will recognize that something could be better and your instrument has a lot to do with how well you play.

I was a Rush fanatic when I purchased an Ovation acoustic guitar; I was convinced that it would give me the edge to play Alex Lifeson acoustic parts live and there is no doubt that it was a quality instrument.

But relatively quickly, I realized that the fingerboard was far too narrow and in the long run I learned that wide fingerboards with D profile necks are best for my hands.

In a lot of ways, I was lucky with that Ovation. I sold it at a profit and my personal style evolved rather rapidly.

Alex Lifeson with Ovation Acoustics
If  you’ve been playing for a while, you probably are also aware that your perfect guitar probably isn’t the perfect guitar for your best friend or for your favorite musician… we’re all different and we can waste a lot of time and money when we imagine that the perfect instrument for someone else is perfect for us.

That’s one of the big ‘takeaways’ that you will see throughout the BornAgainGuitars blog— your perfect guitar (or perfect guitars depending on the breadth and depth of your interests) is usually rather specialized; it supports your requirements 100% and anything else just gets in the way.

Tone, feel, aesthetics—  everything that contributes to your ability to play your best should be considered. From styles of music to hand size or balancing cutting-edge technology against classic mojo, the perfect guitar can be a lifelong quest.

At BornAgainGuitars, we can speed up the process and help you discover the exact sound and feel that you need to play your best. Sometimes we setup and update your current instrument and sometimes we build from scratch.  We look at all of the variables and that gives you lots of options:

Optimization
From bridge adjustments, fret crowning, polishing and new nuts to repairs and touching up the finish, optimization is a relatively inexpensive way to make your current instrument a perfect instrument. We have plenty of  tweaking experience, making small changes that provide dramatic results (string gauge, composition and height is a great example).

If your current instrument is already ‘in the ballpark’, setup and restoration is often the best way to protect your investment and make playing more enjoyable.

Upgrades and Modifications
From locking nuts and tuners to electronics, medium changes can make extreme differences. If you have the right platform (perhaps a guitar that feels perfect) modifications that build on a solid foundation can be hard to beat.

One of my personal favorite approaches is to find electric guitars that feel good and sound good unplugged. It’s relatively easy to design electronics that build on a great natural sound. Half-Out-of-Phase Telecasters, Spin-a-split Les Pauls or TV Jones pickups on an inexpensive Gretsch Jet; all are relatively simple modifications and combinations that can add tons of color and edge to your sound.  

(Here's our Cover Guitar Series for those who need a single guitar that provides a lot of diversity for live performances and Turning a Parker NiteFly into a great Cover Guitar. )

Of course you need a stable, solid instrument as a starting point and it is essential to understand the end goals up front.  That’s how BornAgainGuitars works, it a cumulative process, and mods and upgrades are a relatively fast and cost-effective way to create your perfect guitar.

Custom Design
As you would expect, custom designs are the ultimate opportunity to build exactly what you need. As with optimization and modification, it’s crucial to consider all of the variables. Of course, the great news with a custom design is that everything is possible.

From scale length to wood selection, remember that BornAgainGuitars founder, Hans Boyesen, went to Luthier school to give you every possible option. (And keep in mind that he already had the artistic experience and imagine how Abalone and Mother of Pearl inlays add aesthetic and monetary value.)

Boyesen Engraving
Boyesen Custom OO













Boyesen Custom Tele with Inlay

Ultimately, custom designs offer an incredible value because tone, aesthetics and playability are interwoven… form may follow function, but you can really make it ‘pop’ when all of your goals are built into the design.

So now you know what it takes to find your perfect guitar, give us a call! At BornAgainGuitars, we have the experience to translate your needs into the instrument that meets your ergonomic, economic and tonal requirements:

1.  Technical knowledge to optimize your current acoustic, electric, or bass
2.   Tone and touch experience to refine, modify and restore your current instrument
3.    Design and artistic experience to build an entirely custom instrument 


Friday, September 30, 2016

Compare and contrast- 1961 Stratocaster and 1962 Les Paul SG

By Michael Stierhoff at The Guitar You Dream About

At BornAgainGuitars, we help you discover the exact sound and feel that you need to play your best. Sometimes we setup and update current guitars and sometimes we build custom. And one of the best opportunities is setting up and restoring classics; because we get to compare and contrast some of the greatest vintage guitars along the way!

We recently setup a 1961 Stratocaster and a 1962 Les Paul. both are superb rarebirds and the comparison is easy— famous workhorses, in great condition, modified in the 70s, great sounding, easy to play, and truly iconic.

Vintage 61 Strat and 62 Les Paul 

But there is plenty to contrast as well—

1961 Stratocaster
The 61 Strat is the epitome of all things ‘Fenderish’- The 25.5 scale length and maple neck provide plenty of snap and brightness. The retrofitted 5 position switch gives nice ‘in between’ tones in the 2 and 4 positions and the noiseless Dimarzio pickups are a significant advantage for avoiding 60hz hum.

As expected, the Strat is chimey and clear on clean tube settings—think Dire Straights. It remains tight and focused when overdriven.

1962 Les Paul Special SG
With a 24.75 scale length, all Mahogany construction and full size Dimarzio PAFs, the Les Paul is considerable warmer. But it retains a lot of cut and bite due to the SG style and weight.
Clean tube sounds are very thick, while the overdrive is punchy, heavy, and compressed. It’s considerable less muddy than Les Paul Standards that came and before and after… but it’s not exactly an SG either. The sound is Who or AC/DCish.

Either guitar would be great for blues, rock, pop or even jazz. The Strat has the advantage for country timbres while the Les Paul has the advantage for sustain and crunch.

Why would you pick one over the other?
  • Clean vs crunch- Both cover a lot of ground however,
    • This Strat has a really fast attack— great for chicken picking and articulating the individual notes in a chord. It  has less sustain and thickness than the Les Paul when overdriven.
    • The Les Paul has more ‘bloom’— the explosion of overtones that thickens tone after attack and encourages sustained distortion . The clean is somewhat thicker and less snappy than the Strat.
  • Neck
    • SG /Les Pauls are famous for exceedingly thin and fast necks.
    • The Les Paul has a slight advantage with access to upper frets due to a very thin neck joint.
    • The Strat give you more room ‘within the frets’ due to the longer scale and a broad, almost modern ‘D’ shape.
  • Vibrato
    • The Strat wins hands down if you need a whammy bar.
    • Les Paul vibratos from 61-62 were nearly unusable and probably the reason this one was switched to a Badass tail piece.
  • Weight 
    • The Les Paul is somewhat lighter by design. 
    • However, the Strat is made from relatively light ash and neither are heavy. 
    • So weight isn't a major factor.

Why would you choose vintage instead of new construction? Both approaches make sense depending on what you are looking for:
  • Considering CAD designs and CNC computer controlled precision available today, new construction provides more flexibility for extremely tight specifications. And hardware and electronic modifications are easy.
  • However vintage guitars are still in demand for good reasons:
    • Wood- You won’t find these tone woods anywhere- Modern alternatives work well with modern designs. However, the old growth ash and mahogany that made these guitars what they are simply doesn't exist anymore.
    • Longevity- These are durable puppies that proved their ability to live in the real world by simply surviving. And everyone’s ear is different, but there are good arguments that the classics really do sound special or they wouldn’t be in such demand.
    • Mojo- Fess up, there’s something cool about classic guitars from the early years of rock and roll;)

What is most important is that you can do whatever works for you. At Born Again Guitars, we will help you modify your current instrument, restore a classic, or build your custom dream instrument.

Of course, it takes a lot of experience to match the sound and feel that is right for you—after all there are infinite options and you may have a limited budget:)

At BornAgainGuitars, we combine the three necessary arts to meets your ergonomic and tonal requirements:
  1. Technical knowledge to optimize your current acoustic, electric, or bass
  2. Tone and touch experience to refine, modify and restore your current instrument
  3. Design and artistic experience to build an entirely custom instrument 

Contact Michael at The Guitar You Dream About

Good news sidebar. The Strat owner has all of the original parts! It’s understandable that these rarebirds were modified for better tone and playability in the old days- At BornAgainGuitars, we’re probably never going to recommend rarebird modification. However, if you’re going to do it (or have already done it) hold on to those original parts!

BornAgainGuitars.com